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♪ ♪

2
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- Synced and corrected by Firefly -
- www.addic7ed.com -

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<i>Previously on</i>
Star Trek: Strange New Worlds...

4
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<i>I'm calling to let you know that
we have chosen not to offer you</i>

5
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<i>- a fellowship.
- CHAPEL: I've been trying to tell you</i>

6
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I just need some personal time.

7
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I am having difficulty watching you

8
00:00:35,145 --> 00:00:37,752
experience such obvious
distress. I want to help,

9
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<i>but it would appear all that
I'm doing is making it worse.</i>

10
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- James?
- PIKE: You two know each other?

11
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<i>YMALAY: I have to insist
that you do not share</i>

12
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<i>any of what you experienced
from this time.</i>

13
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<i>Those events were never
supposed to happen,</i>

14
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and you were never meant
to be aware of them.

15
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<i>Neither was your companion.</i>

16
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I was wrong.

17
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I don't deserve you, but I'm asking,

18
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<i>will you forgive me?</i>

19
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♪ ♪

20
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<i>UHURA: Communications officer's log,</i>

21
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<i>stardate 2398.3.</i>

22
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<i>Traveling in the far edges
of the Alpha Quadrant,</i>

23
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<i>we have encountered
an unusual phenomenon:</i>

24
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<i>a naturally-occurring subspace fold.</i>

25
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<i>Lieutenant Spock
posits it could be used</i>

26
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<i>to triple the speed
of subspace communications</i>

27
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<i>in the sector. But his experiment</i>

28
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<i>requires so much computer power</i>

29
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<i>that the rest of the ship
has to communicate...</i>

30
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Hailing frequencies open.

31
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<i>...the old-fashioned way.</i>

32
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On it.

33
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<i>[OVERLAPPING COMMS CHATTER]</i>

34
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I'll route that right to you.

35
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Pike to Uhura. Have you
hailed Captain Batel?

36
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Hailing now, Captain.

37
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I'll send her to your quarters
when I have her.

38
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Transporter to Uhura.
Has the USS <i>Farragut</i>

39
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confirmed Lieutenant
James Kirk's arrival?

40
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Checking on that now, Commander.

41
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<i>CHAPEL: Medical to Uhura.</i>

42
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Is there a message from Dr. Korby yet?

43
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Just arrived. Standby.

44
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<i>SPOCK: Engineering to Uhura.</i>

45
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Are you ready to continue
our experiment?

46
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Yes, Lieutenant, momentarily.

47
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[BONES CRACK]

48
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You want to go to Crivo for
our first vacation together?

49
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<i>I know it's cliché...</i>

50
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And touristy.

51
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<i>Chris, I have always wanted to see</i>

52
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<i>the Crivian Planetary Museum,
and there are day trips</i>

53
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<i>to the Glass Islands and Smoke Lakes...</i>

54
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<i>I know you love a lake.</i>

55
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<i>What's wrong?</i>

56
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Uh, maybe the timing is bad.

57
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I-I'm just not sure
I can get away right now.

58
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<i>Is there something you're
not telling me, Chris?</i>

59
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'Course not. No. Uh...

60
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But let's just put a pin in planning

61
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for a few days.

62
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<i>Whatever you want. I'll be here.</i>

63
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[COMM CHIMES OFF]

64
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<i>UNA: Lieutenant Kirk's captain</i>

65
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sent a report in advance of his arrival.

66
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"Show him the ropes.

67
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Kirk's full of talent
but still has one or two issues

68
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to work out before
he begins his commission".

69
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Yeah. Punctuality being one.

70
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[CLEARS THROAT]

71
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You have... an energy.

72
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What? I'm just waiting
for our visitor to arrive

73
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so I can run
a security clearance on him.

74
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I'm aware, but you came in here hot.

75
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On fire.

76
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It's making me sweat.

77
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I-I'm fine. This is just
standard operating procedure.

78
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Lieutenant Kirk! Welcome
back to the <i>Enterprise.</i>

79
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Thank you, Commander.

80
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No Sam? Thought he'd be here.

81
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He's busy. We'll find him later.

82
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Thank you for agreeing to do this.

83
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Even if it's not fully necessary.

84
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When I took my commission,
I spent a week shadowing Pike.

85
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It made all the difference.

86
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Hopefully it'll do the same
for you on the <i>Farragut.</i>

87
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Good to see you again, La'An.

88
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You still owe me that drink,

89
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- if I'm not mistaken.
- UNA: You...

90
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know each other?

91
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Um...

92
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ye-yes, but I-I still need
to do a security clearance.

93
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Lead the way.

94
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[QUIETLY]: Oh, sorry. I...

95
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[DOOR WHOOSHES OPEN]

96
00:04:02,548 --> 00:04:05,028
[INDISTINCT ANNOUNCEMENT OVER P.A.]

97
00:04:07,422 --> 00:04:08,941
And what if it's another rejection?

98
00:04:08,945 --> 00:04:11,857
Forget those Vulcans
and their science academy.

99
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They don't deserve you.

100
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Ah, but this fellowship is different.

101
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Dr. Korby's a genius.

102
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ORTEGAS: Am I supposed
to know who that is?

103
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He's the Louis Pasteur
of Archaeological Medicine.

104
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Yeah, no. Still means nothing.

105
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It means that thousands of people apply

106
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for this fellowship every year

107
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and only five are accepted.

108
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This could change my life.

109
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Okay.

110
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Oh... Oof.

111
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You got it. I knew it.

112
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[LAUGHING]

113
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M'BENGA: What will I do without you
for three months?

114
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[CHUCKLES]: Oh, my God.

115
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You're not the only one
who's gonna miss her.

116
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Oh, I have to talk to Spock.

117
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<i>SPOCK: Unfortunately we have had
another communication failure.</i>

118
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That's our 12th attempt
at sending a message

119
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through the subspace fold.

120
00:05:04,192 --> 00:05:06,670
PELIA: 13... that's not exactly

121
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what I would call a lucky number.

122
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What makes you think
that this particular fold

123
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will lead to faster communication?

124
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Frequencies propagate through it
three times faster than normal.

125
00:05:17,553 --> 00:05:19,543
- Ah.
- With our current relay network,

126
00:05:19,548 --> 00:05:22,260
it takes weeks to send a message
across the quadrant.

127
00:05:22,265 --> 00:05:25,208
Imagine being able to do it in moments

128
00:05:25,213 --> 00:05:27,037
and getting a near-instant reply.

129
00:05:27,041 --> 00:05:30,736
Real-time communication
across thousands of light years.

130
00:05:30,740 --> 00:05:33,807
Only, so far, no one's heard us.

131
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[DRY CHUCKLE]

132
00:05:36,137 --> 00:05:38,182
[UHURA HUMMING A TUNE]

133
00:05:40,097 --> 00:05:42,705
Have you tried sending music through?

134
00:05:42,709 --> 00:05:43,928
SPOCK: We have not.

135
00:05:43,933 --> 00:05:46,143
Do you believe music may
yield a different result?

136
00:05:46,147 --> 00:05:48,406
Well, you are trying to communicate

137
00:05:48,410 --> 00:05:50,632
through a medium with different

138
00:05:50,637 --> 00:05:52,931
laws of physics, so perhaps

139
00:05:52,936 --> 00:05:56,936
fundamental harmonics
are the answer. Hmm?

140
00:05:56,940 --> 00:05:59,552
You know, it was just a thought.

141
00:06:01,075 --> 00:06:02,642
But perhaps an excellent one.

142
00:06:03,947 --> 00:06:05,732
You pick the song, Nyota.

143
00:06:07,473 --> 00:06:10,559
Well, let's see if subspace is a fan

144
00:06:10,563 --> 00:06:14,094
of the Great American Songbook, huh?

145
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[OVER SPEAKERS]: <i>♪ In olden
days a glimpse of stocking ♪</i>

146
00:06:18,309 --> 00:06:20,220
<i>♪ Was looked on as something shocking ♪</i>

147
00:06:20,224 --> 00:06:22,397
<i>♪ But now, God knows ♪</i>

148
00:06:22,401 --> 00:06:26,313
[ECHOING]: <i>♪ Anything goes ♪</i>

149
00:06:26,317 --> 00:06:27,880
<i>♪ Good authors, too ♪</i>

150
00:06:27,884 --> 00:06:29,534
<i>♪ Who once knew better words ♪</i>

151
00:06:29,538 --> 00:06:31,188
<i>♪ Now only use four-letter words ♪</i>

152
00:06:31,192 --> 00:06:33,495
<i>♪ Writing prose ♪</i>

153
00:06:33,499 --> 00:06:35,497
<i>♪ Anything goes. ♪</i>

154
00:06:35,501 --> 00:06:37,499
[SONG DISTORTS, STOPS]

155
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♪ ♪

156
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[GRUNTS SOFTLY]

157
00:06:57,932 --> 00:07:00,347
- [BOATSWAIN'S WHISTLE BLOWS]
- Mitchell, what just hit us?

158
00:07:00,351 --> 00:07:02,026
No other ships in this sector, sir.

159
00:07:02,031 --> 00:07:05,370
It looks like it came
from that subspace fold.

160
00:07:05,375 --> 00:07:07,547
Ensign Uhura, are you
patched into comms?

161
00:07:07,552 --> 00:07:08,692
Aye, sir.

162
00:07:08,697 --> 00:07:10,642
<i>PIKE: I need a full status
report. All stations.</i>

163
00:07:10,647 --> 00:07:12,383
- ♪ ♪
- Apologies. Reporting

164
00:07:12,388 --> 00:07:15,057
from Engineering first, sir. Mr. Spock?

165
00:07:15,062 --> 00:07:18,773
<i>♪ The intermix chamber
and containment field ♪</i>

166
00:07:18,778 --> 00:07:21,337
<i>♪ Are stable ♪</i>

167
00:07:22,773 --> 00:07:26,068
<i>♪ I'll get to the warp core
and assess its state ♪</i>

168
00:07:26,073 --> 00:07:28,854
<i>♪ When I'm able ♪</i> Why?

169
00:07:28,858 --> 00:07:30,639
Where's that music coming from?

170
00:07:30,643 --> 00:07:32,902
Not from anywhere on the ship.

171
00:07:32,906 --> 00:07:35,925
<i>♪ Apologies, the most ♪</i>

172
00:07:35,930 --> 00:07:37,907
<i>♪ Confounding thing ♪</i>

173
00:07:37,911 --> 00:07:39,952
<i>♪ I appear to be singing ♪</i>

174
00:07:39,956 --> 00:07:41,301
I have sickbay for you, sir.

175
00:07:41,305 --> 00:07:44,391
<i>♪ Most unusual, so peculiar ♪</i>

176
00:07:44,395 --> 00:07:47,031
<i>♪ We can confirm there're no injuries ♪</i>

177
00:07:47,036 --> 00:07:51,441
<i>♪ Just the daily mundane ♪</i>

178
00:07:51,446 --> 00:07:53,313
<i>♪ A headache, a splinter ♪</i>

179
00:07:53,317 --> 00:07:54,918
<i>♪ A left ankle sprain ♪</i>

180
00:07:54,923 --> 00:07:57,148
<i>♪ It's happening again ♪</i>

181
00:07:57,153 --> 00:07:59,449
<i>M'BENGA and CHAPEL:
♪ Why are we singing? ♪</i>

182
00:07:59,454 --> 00:08:01,539
<i>♪ Apologies ♪</i>

183
00:08:01,543 --> 00:08:04,324
<i>♪ The most confounding thing ♪</i>

184
00:08:04,328 --> 00:08:07,502
<i>♪ We appear to be singing ♪</i>

185
00:08:07,506 --> 00:08:11,597
<i>♪ Most unusual, so peculiar ♪</i>

186
00:08:15,731 --> 00:08:17,903
Lieutenant Ortegas, status report.

187
00:08:17,907 --> 00:08:21,559
<i>♪ Ortegas is at the helm ♪</i>

188
00:08:21,563 --> 00:08:25,302
<i>♪ The pilot seat is my realm ♪</i>

189
00:08:25,306 --> 00:08:28,827
<i>♪ We're in a field, surrounded ♪</i>

190
00:08:28,831 --> 00:08:30,792
<i>♪ Still, flight systems steady ♪</i>

191
00:08:30,797 --> 00:08:33,135
<i>♪ Impulse engines ready ♪</i>

192
00:08:33,140 --> 00:08:34,952
<i>♪ At the console ♪</i>

193
00:08:34,957 --> 00:08:36,834
<i>♪ Systems initializing ♪</i>

194
00:08:36,839 --> 00:08:40,709
<i>♪ Life support robust, now finalizing ♪</i>

195
00:08:40,713 --> 00:08:42,692
<i>♪ We'll check inertial dampers ♪</i>

196
00:08:42,697 --> 00:08:46,270
<i>♪ And see if they're hampered ♪</i>

197
00:08:48,111 --> 00:08:51,241
<i>♪ All is okay ♪</i>

198
00:08:51,245 --> 00:08:53,896
<i>♪ It appears that all ♪</i>

199
00:08:53,900 --> 00:08:56,946
<i>♪ Is okay ♪</i>

200
00:09:12,456 --> 00:09:15,489
<i>♪ Security detects no threats ♪</i>

201
00:09:15,494 --> 00:09:18,093
<i>♪ We'll do a personnel overhaul ♪</i>

202
00:09:18,098 --> 00:09:19,704
<i>♪ No decks unchecked ♪</i>

203
00:09:19,708 --> 00:09:22,968
<i>♪ All tactical functions are steady ♪</i>

204
00:09:22,972 --> 00:09:25,451
<i>♪ Phaser banks, deflector shields ♪</i>

205
00:09:25,456 --> 00:09:27,406
<i>♪ All at the ready ♪</i>

206
00:09:27,411 --> 00:09:31,666
<i>- ♪ Apologies, the most confounding thing ♪
- ♪ Apologies ♪</i>

207
00:09:31,671 --> 00:09:35,240
<i>- ♪ We appear to be singing ♪
- ♪ The most confounding thing ♪</i>

208
00:09:35,245 --> 00:09:38,854
<i>- ♪ Most unusual, so peculiar ♪
- ♪ Apologies, the most confounding thing ♪</i>

209
00:09:38,858 --> 00:09:41,421
<i>- ♪ Apologies ♪
- ♪ We appear to be singing ♪</i>

210
00:09:41,425 --> 00:09:44,033
<i>- ♪ The most confounding thing ♪
- ♪ Apologies ♪</i>

211
00:09:44,037 --> 00:09:47,173
<i>- ♪ So peculiar ♪
- ♪ All systems stable ♪</i>

212
00:09:47,178 --> 00:09:49,385
<i>♪ All systems stable ♪</i>

213
00:09:49,390 --> 00:09:52,730
<i>- ♪ All systems stable ♪
- ♪ All systems stable ♪</i>

214
00:09:52,735 --> 00:09:54,738
<i>♪ All systems stable ♪</i>

215
00:09:54,743 --> 00:09:56,413
<i>- ♪ All systems stable ♪
- ♪ All systems stable ♪</i>

216
00:09:56,417 --> 00:09:58,028
<i>♪ All systems stable ♪</i>

217
00:09:58,033 --> 00:10:00,880
<i>♪ But why are we singing? ♪</i>

218
00:10:01,881 --> 00:10:03,926
<i>[CHORUS VOCALIZING]</i>

219
00:10:04,971 --> 00:10:06,929
<i>PIKE: Space.</i>

220
00:10:08,217 --> 00:10:10,089
<i>The final frontier.</i>

221
00:10:12,826 --> 00:10:15,611
<i>These are the voyages
of the starship</i> Enterprise.

222
00:10:18,071 --> 00:10:19,895
<i>Its five-year mission:</i>

223
00:10:19,899 --> 00:10:22,462
<i>to explore strange new worlds...</i>

224
00:10:25,121 --> 00:10:27,142
<i>... to seek out new life</i>

225
00:10:28,246 --> 00:10:29,943
<i>and new civilizations,</i>

226
00:10:31,701 --> 00:10:35,745
<i>to boldly go where no
one has gone before.</i>

227
00:10:35,750 --> 00:10:38,314
♪ ♪

228
00:10:38,319 --> 00:10:40,199
<i>[POP CHORUS VOCALIZING</i>
STRANGE NEW WORLDS <i>THEME]</i>

229
00:11:07,555 --> 00:11:09,600
♪ ♪

230
00:11:31,274 --> 00:11:33,712
♪ ♪

231
00:11:50,359 --> 00:11:52,488
So... that happened.

232
00:11:52,493 --> 00:11:55,556
Reports of musical outbreaks
have come in from every deck.

233
00:11:55,561 --> 00:11:58,404
Honestly, I assumed it was
something you had all rehearsed,

234
00:11:58,409 --> 00:11:59,962
but I sang, too.

235
00:11:59,967 --> 00:12:01,560
So did I.

236
00:12:01,565 --> 00:12:03,128
And I do not sing.

237
00:12:03,132 --> 00:12:04,862
The surge came from your subspace fold.

238
00:12:04,867 --> 00:12:05,869
Help me connect the dots.

239
00:12:05,874 --> 00:12:08,052
We sent a series
of transmissions through.

240
00:12:08,057 --> 00:12:09,655
The final one was a song.

241
00:12:09,660 --> 00:12:12,224
You sent in a song, and then we all...

242
00:12:12,228 --> 00:12:14,096
- sang?
- Why are we singing?

243
00:12:14,100 --> 00:12:16,260
I believe the song created
a resonant frequency

244
00:12:16,265 --> 00:12:17,838
and dislodged something from the fold,

245
00:12:17,843 --> 00:12:19,884
a quantum uncertainty field.

246
00:12:19,888 --> 00:12:21,599
Okay, why would that make us sing?

247
00:12:21,604 --> 00:12:24,560
Imagine an area of space where
quantum uncertainties collapse

248
00:12:24,565 --> 00:12:26,915
so rapidly and randomly
that new realities are created.

249
00:12:26,920 --> 00:12:29,831
In one such reality,
people sing uncontrollably.

250
00:12:29,836 --> 00:12:32,809
PELIA: A musical reality.

251
00:12:32,814 --> 00:12:34,116
Indeed.

252
00:12:34,120 --> 00:12:37,260
So, what's next... more improbability?

253
00:12:37,265 --> 00:12:39,990
Or will we just suddenly
poof into bunnies?

254
00:12:39,995 --> 00:12:42,254
I would prefer
not to be a bunny, either.

255
00:12:42,258 --> 00:12:43,956
SPOCK: I doubt we will be bunnies,

256
00:12:43,961 --> 00:12:45,780
but we may not be done with singing.

257
00:12:45,784 --> 00:12:47,949
Simulations reveal
we have become tethered

258
00:12:47,954 --> 00:12:49,870
to this particular improbability field.

259
00:12:49,875 --> 00:12:52,007
Attempting to fly out
would likely make it wider.

260
00:12:53,095 --> 00:12:54,490
PELIA: It looks like a zipper,

261
00:12:54,495 --> 00:12:56,093
which begs the question:

262
00:12:56,098 --> 00:12:58,488
might it function like a zipper?

263
00:12:58,492 --> 00:13:00,222
PIKE: Zippers work both ways. Could we

264
00:13:00,227 --> 00:13:02,306
use it to close the improbability field

265
00:13:02,311 --> 00:13:03,766
- back inside the fold?
- SPOCK: Potentially.

266
00:13:03,770 --> 00:13:06,408
If we combined shield harmonics
with the Heisenberg compensator.

267
00:13:06,413 --> 00:13:08,343
You would have to connect both
to the deflector array

268
00:13:08,347 --> 00:13:09,349
and generate a beam.

269
00:13:09,354 --> 00:13:11,108
That means connecting them manually.

270
00:13:11,113 --> 00:13:12,599
Let's do it, uh, we don't know

271
00:13:12,604 --> 00:13:14,341
how all this singing will affect us,

272
00:13:14,346 --> 00:13:16,158
and I'd rather not find out.
Best to nip it in the bud.

273
00:13:16,162 --> 00:13:18,290
Mr. Spock, you explained that very well.

274
00:13:18,294 --> 00:13:20,819
I almost understood it.

275
00:13:23,125 --> 00:13:25,368
SPOCK: Our zipper beam
must precisely match

276
00:13:25,373 --> 00:13:26,471
the resonance of the fold.

277
00:13:26,476 --> 00:13:28,779
What was the exact frequency
of the song we sent through?

278
00:13:28,783 --> 00:13:30,654
UHURA: One moment.

279
00:13:33,819 --> 00:13:35,476
Is that transmission
regarding Nurse Chapel's

280
00:13:35,480 --> 00:13:36,873
recent fellowship application?

281
00:13:36,878 --> 00:13:39,572
Was the news... favorable?

282
00:13:39,576 --> 00:13:41,622
I don't look at personal correspondence.

283
00:13:42,623 --> 00:13:44,438
Of course. That would be unethical.

284
00:13:45,582 --> 00:13:47,889
You and Nurse Chapel have
become close, haven't you?

285
00:13:49,891 --> 00:13:51,956
I suppose it would be accurate to say

286
00:13:51,961 --> 00:13:54,195
that we are more than colleagues.

287
00:13:54,200 --> 00:13:55,493
[CHUCKLES]

288
00:13:55,498 --> 00:13:58,317
There's that classic Vulcan
romance I've heard about.

289
00:14:03,451 --> 00:14:05,206
Why don't you ask her about it?

290
00:14:05,211 --> 00:14:08,514
Of late, our communication
has faced challenges.

291
00:14:08,518 --> 00:14:10,908
Mm.

292
00:14:10,912 --> 00:14:12,790
<i>UNA: Number One to Uhura.</i>

293
00:14:12,795 --> 00:14:14,185
<i>Lieutenant Kirk and I are in place.</i>

294
00:14:14,189 --> 00:14:16,257
Stand by for harmonics data.

295
00:14:20,747 --> 00:14:22,484
One junction down.

296
00:14:22,489 --> 00:14:25,450
Only four more to go.

297
00:14:25,455 --> 00:14:27,931
Don't tell me you've
run out of steam already.

298
00:14:27,936 --> 00:14:29,807
You know, my brother...
he always described you

299
00:14:29,812 --> 00:14:34,017
as "the first officer that
I thought I should be like".

300
00:14:34,022 --> 00:14:37,500
Someone who keeps a necessary
distance from her crew

301
00:14:37,504 --> 00:14:39,495
because she knows
she has to make hard decisions.

302
00:14:39,500 --> 00:14:41,571
I'm aware of the reputation
I've had on this ship,

303
00:14:41,576 --> 00:14:43,673
but recently,
I'm trying a new approach...

304
00:14:43,678 --> 00:14:45,333
more hands-on.

305
00:14:45,338 --> 00:14:49,343
My last first officer
definitely kept his distance.

306
00:14:52,388 --> 00:14:54,343
And no one questioned him.

307
00:14:54,347 --> 00:14:57,197
I call that style of command
a first mistake.

308
00:14:57,202 --> 00:14:59,221
♪ ♪

309
00:15:00,788 --> 00:15:03,961
The kind that makes my head shake

310
00:15:03,965 --> 00:15:06,602
and my heart... break.

311
00:15:09,212 --> 00:15:13,417
<i>♪ Take some advice from
your senior Number One ♪</i>

312
00:15:13,422 --> 00:15:17,292
<i>♪ This I assure tried and true ♪</i>

313
00:15:17,296 --> 00:15:21,339
<i>♪ The littlest things
can mean everything ♪</i>

314
00:15:21,343 --> 00:15:24,506
<i>♪ When it comes to them and you ♪</i>

315
00:15:24,511 --> 00:15:26,513
<i>♪ Connect to your crew ♪</i>

316
00:15:26,957 --> 00:15:29,196
<i>♪ We're singing again ♪</i>

317
00:15:29,201 --> 00:15:31,404
<i>♪ We're singing again ♪</i>

318
00:15:31,409 --> 00:15:33,350
<i>♪ And it makes me confess things ♪</i>

319
00:15:33,355 --> 00:15:35,962
<i>♪ I'd never express ♪</i>

320
00:15:35,966 --> 00:15:39,096
<i>♪ Truth be told, in a parallel world ♪</i>

321
00:15:39,100 --> 00:15:42,839
<i>♪ I can see myself up on the stage ♪</i>

322
00:15:42,843 --> 00:15:45,102
<i>♪ And for three hours a night ♪</i>

323
00:15:45,106 --> 00:15:47,104
<i>♪ And to everyone's delight ♪</i>

324
00:15:47,108 --> 00:15:50,424
<i>♪ I'd regale them
with all my renditions ♪</i>

325
00:15:50,429 --> 00:15:52,561
<i>♪ Of Gilbert and Sullivan ♪</i>

326
00:15:53,462 --> 00:15:55,417
- Ha-ha.
- So what you're saying is...

327
00:15:55,421 --> 00:15:59,116
<i>♪ With my new commission
to a higher position ♪</i>

328
00:15:59,120 --> 00:16:03,161
<i>♪ I'd do well to profess my truths? ♪</i>

329
00:16:03,166 --> 00:16:07,471
<i>♪ Rather than question it,
I deem it relevant ♪</i>

330
00:16:07,476 --> 00:16:11,172
<i>♪ No longer will I dispute ♪</i>

331
00:16:11,176 --> 00:16:15,306
<i>♪ That the littlest things
can mean everything ♪</i>

332
00:16:15,310 --> 00:16:18,440
<i>♪ In being authentically you ♪</i>

333
00:16:18,444 --> 00:16:20,703
<i>♪ Connect to your truth ♪</i>

334
00:16:20,707 --> 00:16:23,358
When you put it like that,
it makes sense.

335
00:16:23,362 --> 00:16:25,751
<i>♪ Rather than question it ♪</i>

336
00:16:25,755 --> 00:16:27,653
<i>♪ Let's deem it relevant ♪</i>

337
00:16:27,658 --> 00:16:31,267
<i>♪ Absent from fear or dispute ♪</i>

338
00:16:31,272 --> 00:16:35,325
<i>♪ These deeply held things,
yes, they mean everything ♪</i>

339
00:16:35,330 --> 00:16:38,547
<i>♪ In becoming authentically you ♪</i>

340
00:16:38,551 --> 00:16:40,770
<i>♪ Connect to your truth ♪</i>

341
00:16:42,207 --> 00:16:44,901
<i>♪ And connect to your crew ♪</i>

342
00:16:44,905 --> 00:16:46,903
<i>♪ Will do. ♪</i>

343
00:16:46,907 --> 00:16:48,996
[INDISTINCT CONVERSATION]

344
00:16:50,215 --> 00:16:52,561
[INDISTINCT ANNOUNCEMENT OVER P.A.]

345
00:16:52,565 --> 00:16:54,654
♪ ♪

346
00:17:08,755 --> 00:17:11,623
<i>♪ Did I hear that right? ♪</i>

347
00:17:11,627 --> 00:17:16,008
<i>♪ Did she just shine a spotlight
on her innermost feelings ♪</i>

348
00:17:16,013 --> 00:17:17,605
<i>♪ Like it's no big deal? ♪</i>

349
00:17:17,610 --> 00:17:21,154
<i>♪ Say whatever whenever you like ♪</i>

350
00:17:21,159 --> 00:17:25,951
<i>♪ You'd presume with all my mastery ♪</i>

351
00:17:25,956 --> 00:17:28,476
<i>♪ To pursue flights of fancy ♪</i>

352
00:17:28,481 --> 00:17:29,696
<i>♪ Easy ♪</i>

353
00:17:29,701 --> 00:17:31,612
<i>♪ Who am I kidding? ♪</i>

354
00:17:31,617 --> 00:17:34,837
<i>♪ I've never found that part of me ♪</i>

355
00:17:35,869 --> 00:17:39,042
<i>♪ 'Cause I'm designed ♪</i>

356
00:17:39,046 --> 00:17:43,133
<i>♪ To color inside the lines ♪</i>

357
00:17:43,137 --> 00:17:45,353
<i>♪ Cool and methodical ♪</i>

358
00:17:45,357 --> 00:17:47,093
<i>♪ Way too responsible ♪</i>

359
00:17:47,097 --> 00:17:50,358
<i>♪ I can't help it ♪</i>

360
00:17:50,362 --> 00:17:53,274
<i>♪ Sometimes I peek through a keyhole ♪</i>

361
00:17:53,278 --> 00:17:57,483
<i>♪ And see people happy, I admit ♪</i>

362
00:17:57,488 --> 00:18:00,661
<i>♪ It might ♪</i>

363
00:18:01,111 --> 00:18:05,155
<i>♪ Be time to change my paradigm ♪</i>

364
00:18:05,159 --> 00:18:08,289
<i>♪ If only I ♪</i>

365
00:18:08,293 --> 00:18:12,118
<i>♪ Can let go of the wheel ♪</i>

366
00:18:12,122 --> 00:18:15,687
<i>♪ My fear replaced with total faith ♪</i>

367
00:18:15,691 --> 00:18:17,733
<i>♪ I'm fiercely free ♪</i>

368
00:18:17,737 --> 00:18:21,345
<i>♪ And really real ♪</i>

369
00:18:21,349 --> 00:18:25,870
<i>♪ Flying blind ♪</i>

370
00:18:25,875 --> 00:18:28,443
<i>♪ How would that feel? ♪</i>

371
00:18:42,283 --> 00:18:45,326
<i>♪ This all makes me so uncomfortable ♪</i>

372
00:18:45,330 --> 00:18:49,417
<i>♪ I want to let go and be vulnerable ♪</i>

373
00:18:49,421 --> 00:18:51,593
<i>♪ Who am I kidding? ♪</i>

374
00:18:51,597 --> 00:18:55,165
<i>♪ I've never met that side of me ♪</i>

375
00:18:56,166 --> 00:18:59,601
<i>♪ In my defense ♪</i>

376
00:18:59,605 --> 00:19:03,257
<i>♪ The truth has a consequence ♪</i>

377
00:19:03,261 --> 00:19:05,302
<i>♪ I won't watch the whole thing ♪</i>

378
00:19:05,306 --> 00:19:10,611
<i>♪ Spin out of control
if I have the chance ♪</i>

379
00:19:10,616 --> 00:19:13,831
<i>♪ It might ♪</i>

380
00:19:13,836 --> 00:19:17,793
<i>♪ Be time to change my paradigm ♪</i>

381
00:19:17,797 --> 00:19:20,839
<i>♪ If I ♪</i>

382
00:19:20,843 --> 00:19:24,669
<i>♪ Can only let go of the wheel ♪</i>

383
00:19:24,673 --> 00:19:28,325
<i>♪ My fear replaced with total faith ♪</i>

384
00:19:28,329 --> 00:19:33,934
<i>♪ I'm fiercely free and really real ♪</i>

385
00:19:34,422 --> 00:19:37,848
<i>♪ Flying blind ♪</i>

386
00:19:37,853 --> 00:19:39,851
<i>♪ How would that feel? ♪</i>

387
00:19:39,856 --> 00:19:43,861
<i>♪ In another time ♪</i>

388
00:19:43,866 --> 00:19:46,932
<i>♪ We had a life together ♪</i>

389
00:19:46,937 --> 00:19:50,249
<i>♪ Could time repeat? ♪</i>

390
00:19:50,254 --> 00:19:53,761
<i>♪ Or will it unravel? ♪</i>

391
00:19:53,766 --> 00:19:57,222
<i>♪ Be careful what you start ♪</i>

392
00:19:57,227 --> 00:19:59,487
<i>♪ Make one mistake ♪</i>

393
00:19:59,491 --> 00:20:03,968
<i>♪ And blow it all apart ♪</i>

394
00:20:03,973 --> 00:20:05,540
<i>♪ Or worse ♪</i>

395
00:20:07,068 --> 00:20:09,636
<i>♪ Break my own heart ♪</i>

396
00:20:16,812 --> 00:20:19,115
<i>♪ Who am I kidding? ♪</i>

397
00:20:19,119 --> 00:20:22,949
<i>♪ I've never found that part of me ♪</i>

398
00:20:24,994 --> 00:20:28,385
<i>♪ It might ♪</i>

399
00:20:28,389 --> 00:20:32,171
<i>♪ Be time to change my paradigm ♪</i>

400
00:20:32,175 --> 00:20:35,827
<i>♪ If only I ♪</i>

401
00:20:35,831 --> 00:20:39,527
<i>♪ Can let go of the wheel ♪</i>

402
00:20:39,531 --> 00:20:42,921
<i>♪ It's nice ♪</i>

403
00:20:42,925 --> 00:20:46,882
<i>♪ To dream that I could
change my mind ♪</i>

404
00:20:46,886 --> 00:20:50,276
<i>♪ Deep down I ♪</i>

405
00:20:50,280 --> 00:20:53,584
<i>♪ Know I will never let go ♪</i>

406
00:20:53,588 --> 00:20:56,108
<i>♪ My fear is staked ♪</i>

407
00:20:56,112 --> 00:20:57,893
<i>♪ I have no faith ♪</i>

408
00:20:57,897 --> 00:21:02,402
<i>♪ Contented freedom is not real ♪</i>

409
00:21:03,424 --> 00:21:07,123
<i>♪ Flying blind ♪</i>

410
00:21:08,168 --> 00:21:11,127
<i>♪ How would that feel? ♪</i>

411
00:21:15,209 --> 00:21:17,438
<i>When people sing, they are confessing</i>

412
00:21:17,443 --> 00:21:20,006
highly personal...

413
00:21:20,011 --> 00:21:22,031
emotional information.

414
00:21:24,232 --> 00:21:25,882
Lieutenant, are you telling me

415
00:21:25,887 --> 00:21:28,712
our emotions constitute
a security threat?

416
00:21:28,717 --> 00:21:30,723
I am.

417
00:21:32,982 --> 00:21:35,236
Well, whatever you're not saying,

418
00:21:35,241 --> 00:21:36,596
hope it doesn't come to that.

419
00:21:36,601 --> 00:21:39,342
Mr. Spock and Ensign Uhura
have a plan to shut it down.

420
00:21:40,405 --> 00:21:41,567
[BOATSWAIN'S WHISTLE BLOWS]

421
00:21:41,572 --> 00:21:43,913
Captain, we have adjusted
the Heisenberg compensator

422
00:21:43,918 --> 00:21:46,383
to combine with shield harmonics
and collapse the musical reality

423
00:21:46,387 --> 00:21:48,776
back into our standard quantum state.

424
00:21:48,781 --> 00:21:51,984
Lieutenant Kirk, not to
rush you, but I'm rushing you.

425
00:21:53,387 --> 00:21:54,837
<i>The sooner we close the fold,</i>

426
00:21:54,842 --> 00:21:57,070
<i>the faster we can say
goodbye to the music.</i>

427
00:21:57,075 --> 00:21:58,649
- Copy that, Ensign.
- Copy that, Ensign.

428
00:21:58,653 --> 00:21:59,998
She was talking to me.

429
00:22:00,002 --> 00:22:01,391
- You don't know that.
- I do know that.

430
00:22:01,395 --> 00:22:02,523
I actually work here.

431
00:22:02,527 --> 00:22:04,133
This isn't even your department.

432
00:22:04,137 --> 00:22:05,600
You're xenoanthropology.

433
00:22:05,605 --> 00:22:07,702
I was assigned here at your request.

434
00:22:07,706 --> 00:22:09,403
She said you missed me.

435
00:22:10,595 --> 00:22:12,370
Everything's connected to the deflector.

436
00:22:12,375 --> 00:22:14,391
Ready to go, Nyota.

437
00:22:14,396 --> 00:22:16,830
<i>- UNA: Deflector aligned and ready to fire.
- PIKE: On your command,</i>

438
00:22:16,834 --> 00:22:17,932
<i>Number One.</i>

439
00:22:27,552 --> 00:22:28,727
It's closing.

440
00:22:30,019 --> 00:22:31,974
Good work, all.

441
00:22:31,979 --> 00:22:34,073
- [ALERT CHIMES]
- What is it?

442
00:22:36,604 --> 00:22:38,602
It appears to be another energy surge.

443
00:22:38,606 --> 00:22:40,695
[RUMBLING]

444
00:22:46,048 --> 00:22:48,003
Somehow I don't think we zipped it.

445
00:22:48,007 --> 00:22:49,091
Spock, what happened?

446
00:22:49,095 --> 00:22:50,440
Unable to determine.

447
00:22:50,444 --> 00:22:52,154
Incoming hail from the <i>Cayuga.</i>

448
00:22:53,259 --> 00:22:54,487
When it rains.

449
00:22:54,492 --> 00:22:56,402
Spock, find a way to determine it.

450
00:22:56,406 --> 00:22:58,013
Ensign Uhura,

451
00:22:58,017 --> 00:22:59,597
put Captain Batel through, please.

452
00:23:01,237 --> 00:23:03,845
♪ ♪

453
00:23:03,849 --> 00:23:07,357
<i>Captain, can we have
a private conversation?</i>

454
00:23:07,362 --> 00:23:09,154
<i>In a more discreet location?</i>

455
00:23:09,158 --> 00:23:11,596
<i>About our cancelled vacation.</i>

456
00:23:13,491 --> 00:23:16,055
<i>♪ Apologies ♪</i>

457
00:23:16,060 --> 00:23:19,642
<i>♪ I appear to be rhyming ♪</i>

458
00:23:19,647 --> 00:23:21,489
<i>♪ And singing ♪</i>

459
00:23:21,494 --> 00:23:24,144
Marie, I'm gonna call you back.

460
00:23:24,149 --> 00:23:26,823
<i>♪ Oh, no, no, you don't ♪</i>

461
00:23:26,828 --> 00:23:28,743
<i>♪ I'm not done yet ♪</i>

462
00:23:29,588 --> 00:23:33,283
<i>♪ Chris, you always do this ♪</i>

463
00:23:33,288 --> 00:23:35,757
<i>♪ You always run away ♪</i>

464
00:23:35,762 --> 00:23:37,769
<i>- ♪ Just when... ♪
- ♪ Oh, sure, I see ♪</i>

465
00:23:37,774 --> 00:23:40,451
<i>♪ Lay all the blame on me ♪</i>

466
00:23:40,456 --> 00:23:44,661
<i>♪ When you're the one
whose idea of fun is... ♪</i>

467
00:23:45,281 --> 00:23:48,106
<i>♪ What am I saying to you? ♪</i>

468
00:23:48,110 --> 00:23:51,457
<i>♪ In front of my crew? ♪</i>

469
00:23:51,461 --> 00:23:54,199
<i>♪ This is a private conversation ♪</i>

470
00:23:54,203 --> 00:23:55,853
<i>♪ A private conversation ♪</i>

471
00:23:55,857 --> 00:23:57,986
<i>♪ About our frustration ♪</i>

472
00:23:57,990 --> 00:23:59,770
<i>♪ About our frustration ♪</i>

473
00:23:59,774 --> 00:24:01,598
<i>♪ This is a private conversation ♪</i>

474
00:24:01,602 --> 00:24:03,731
<i>♪ A private conversation ♪</i>

475
00:24:03,735 --> 00:24:05,646
<i>♪ About our frustration ♪</i>

476
00:24:05,650 --> 00:24:08,126
<i>♪ A private conversation ♪</i>

477
00:24:08,130 --> 00:24:09,954
<i>♪ We must contain it ♪</i>

478
00:24:09,958 --> 00:24:11,608
<i>♪ We must restrain it ♪</i>

479
00:24:11,612 --> 00:24:15,817
<i>♪ I don't want to hurt you, Marie ♪</i>

480
00:24:16,443 --> 00:24:19,224
<i>♪ You mean more and more to me ♪</i>

481
00:24:19,228 --> 00:24:21,618
<i>♪ But when you and I ♪</i>

482
00:24:21,622 --> 00:24:24,055
<i>♪ Don't see eye to eye ♪</i>

483
00:24:24,059 --> 00:24:27,885
<i>♪ A switch inside me flips
and I'm compelled to hide. ♪</i>

484
00:24:38,639 --> 00:24:40,594
What just happened?
Why did I admit all that?

485
00:24:40,598 --> 00:24:41,812
I told you.

486
00:24:41,816 --> 00:24:43,727
This is a security threat.

487
00:24:43,731 --> 00:24:45,237
But-but the singing... I... The...

488
00:24:45,242 --> 00:24:46,948
How did that happen on the <i>Cayuga,</i> too?

489
00:24:46,952 --> 00:24:49,432
Because the improbability field
is expanding...

490
00:24:50,277 --> 00:24:52,453
... across the whole subspace
communications network.

491
00:24:54,237 --> 00:24:56,239
To the entire fleet.

492
00:25:07,407 --> 00:25:09,491
UNA: Admiral April's
last message confirmed

493
00:25:09,496 --> 00:25:10,972
that the improbability field

494
00:25:10,976 --> 00:25:13,539
has now spread to 12 Federation ships.

495
00:25:13,543 --> 00:25:16,499
He let me know in a
surprisingly beautiful baritone

496
00:25:16,503 --> 00:25:18,536
that he wants us
to stop this now, by the way.

497
00:25:18,541 --> 00:25:20,851
Do we have any idea why
this reality's compelling us

498
00:25:20,855 --> 00:25:22,636
to confess our deepest emotions?

499
00:25:22,640 --> 00:25:23,815
UHURA: I have a theory.

500
00:25:23,820 --> 00:25:25,943
I think since we're
in a musical reality,

501
00:25:25,947 --> 00:25:28,598
we're actually following
the rules of musicals.

502
00:25:28,602 --> 00:25:31,997
So, when do characters in
musicals usually begin to sing?

503
00:25:33,041 --> 00:25:36,127
When their emotions are so heightened

504
00:25:36,131 --> 00:25:38,695
that words won't suffice.

505
00:25:38,699 --> 00:25:40,784
UHURA: This musical reality
wants us to sing

506
00:25:40,788 --> 00:25:42,656
about what's most pressing on our minds.

507
00:25:42,660 --> 00:25:45,223
These emotions have the power

508
00:25:45,227 --> 00:25:47,878
to overwhelm our capacity
for rational thinking.

509
00:25:47,882 --> 00:25:51,142
They also have the potential
to drive us apart.

510
00:25:51,146 --> 00:25:52,361
PIKE: The subspace fold...

511
00:25:52,365 --> 00:25:54,232
I think we should blow it up.

512
00:25:54,236 --> 00:25:55,973
Use the photon torpedoes
to bring down the curtain

513
00:25:55,977 --> 00:25:57,888
- on this thing for good.
- That has potential.

514
00:25:57,892 --> 00:26:00,127
- Really?
- Since we are the focal point

515
00:26:00,132 --> 00:26:01,891
of this subspace fold,

516
00:26:01,896 --> 00:26:04,547
a matter/antimatter blast
might untether the <i>Enterprise</i>

517
00:26:04,551 --> 00:26:06,680
and reverse the musical reality
for all affected.

518
00:26:06,684 --> 00:26:08,769
But it would be prudent
to test this theory

519
00:26:08,773 --> 00:26:09,992
in a controlled environment,

520
00:26:09,997 --> 00:26:11,989
in case it is more explosive
than intended.

521
00:26:11,993 --> 00:26:14,818
What if we could isolate
and transport...

522
00:26:14,822 --> 00:26:17,433
Subatomic particles from the fold.

523
00:26:18,464 --> 00:26:19,561
Sorry.

524
00:26:19,566 --> 00:26:21,477
I shouldn't have interrupted you

525
00:26:21,481 --> 00:26:23,348
because you had that thought first.

526
00:26:23,352 --> 00:26:25,089
UNA: Locking in on something that small

527
00:26:25,093 --> 00:26:26,969
would require cross-targeting.

528
00:26:28,618 --> 00:26:30,312
It's a two-person job.

529
00:26:30,316 --> 00:26:33,567
Well, luckily you have
two persons right here.

530
00:26:38,541 --> 00:26:40,184
UNA: You're refusing an assignment?

531
00:26:40,189 --> 00:26:41,447
This isn't like you, La'An.

532
00:26:41,452 --> 00:26:42,845
That's the problem.

533
00:26:42,850 --> 00:26:45,109
I'm not behaving like myself.

534
00:26:45,113 --> 00:26:46,807
None of us are.

535
00:26:46,811 --> 00:26:48,678
You're afraid of singing.

536
00:26:48,682 --> 00:26:50,162
- To James.
- What?

537
00:26:51,217 --> 00:26:52,475
You can stop hiding it.

538
00:26:52,480 --> 00:26:54,104
I see how you act around him.

539
00:26:54,109 --> 00:26:56,207
What-what do you mean? I'm...
How-how do I act around him?

540
00:26:56,211 --> 00:26:59,475
You don't want me to answer that.

541
00:27:02,217 --> 00:27:03,824
Okay.

542
00:27:03,828 --> 00:27:07,044
Hypothetically, let's say
I have feelings for him,

543
00:27:07,048 --> 00:27:09,177
and those feelings pose an actual

544
00:27:09,181 --> 00:27:11,139
space-time security risk.

545
00:27:13,098 --> 00:27:14,748
I should just tell him.

546
00:27:14,752 --> 00:27:16,097
That's the responsible thing to do.

547
00:27:16,101 --> 00:27:17,751
Before it happens outside of my control.

548
00:27:17,755 --> 00:27:19,565
I should just suck it up,
stop being a child

549
00:27:19,570 --> 00:27:20,717
and just do it.

550
00:27:20,722 --> 00:27:23,246
♪ ♪

551
00:27:34,597 --> 00:27:38,728
<i>♪ You've got lots of ♪</i>

552
00:27:38,732 --> 00:27:42,040
<i>♪ Thoughts to wade through ♪</i>

553
00:27:42,045 --> 00:27:45,039
<i>♪ Tangled webs ♪</i>

554
00:27:45,043 --> 00:27:48,999
<i>♪ Of people who will ♪</i>

555
00:27:49,003 --> 00:27:53,008
<i>♪ Complicate your life ♪</i>

556
00:27:53,529 --> 00:27:55,832
<i>♪ And thwart you ♪</i>

557
00:27:55,836 --> 00:27:58,617
<i>♪ These are facts ♪</i>

558
00:27:58,621 --> 00:28:02,491
<i>♪ That I relate to ♪</i>

559
00:28:02,495 --> 00:28:06,700
<i>♪ Pick and choose the truth
that you want to tell ♪</i>

560
00:28:07,239 --> 00:28:09,063
<i>♪ If you're being smart ♪</i>

561
00:28:09,067 --> 00:28:12,066
<i>♪ No broken trust, no drama ♪</i>

562
00:28:12,070 --> 00:28:15,373
<i>♪ You just keep to yourself ♪</i>

563
00:28:15,377 --> 00:28:19,464
<i>♪ Be your own best friend
and confidante ♪</i>

564
00:28:19,468 --> 00:28:22,598
<i>♪ 'Cause no one will protect you ♪</i>

565
00:28:22,602 --> 00:28:26,689
<i>♪ When things go wrong ♪</i>

566
00:28:26,693 --> 00:28:30,898
<i>♪ The secrets you keep safe inside ♪</i>

567
00:28:32,917 --> 00:28:35,785
<i>♪ Might keep you awake ♪</i>

568
00:28:35,789 --> 00:28:39,963
<i>♪ And cut like a knife ♪</i>

569
00:28:39,967 --> 00:28:43,140
<i>♪ 'Cause the road to ruin ♪</i>

570
00:28:43,144 --> 00:28:47,349
<i>♪ Is paved by intentions of fools ♪</i>

571
00:28:48,933 --> 00:28:52,354
<i>♪ Nice people who ♪</i>

572
00:28:52,359 --> 00:28:54,194
<i>♪ Couldn't keep a secret ♪</i>

573
00:28:54,199 --> 00:28:57,372
<i>♪ No one can keep you small ♪</i>

574
00:28:57,376 --> 00:29:00,592
<i>♪ Be bulletproof and ten feet tall ♪</i>

575
00:29:00,596 --> 00:29:03,900
<i>♪ An island ♪</i>

576
00:29:03,904 --> 00:29:06,511
<i>♪ Population ♪</i>

577
00:29:06,515 --> 00:29:10,720
<i>♪ One... ♪</i>

578
00:29:14,393 --> 00:29:17,871
<i>♪ No one can hurt you ♪</i>

579
00:29:17,875 --> 00:29:22,080
<i>♪ Or let you down again ♪</i>

580
00:29:34,543 --> 00:29:39,048
<i>♪ The secrets I keep safe inside ♪</i>

581
00:29:41,899 --> 00:29:44,767
<i>♪ A skill I perfected ♪</i>

582
00:29:44,771 --> 00:29:48,162
<i>♪ So I could survive ♪</i>

583
00:29:48,166 --> 00:29:51,295
<i>♪ It worked before ♪</i>

584
00:29:51,299 --> 00:29:54,951
<i>♪ It doesn't serve me anymore ♪</i>

585
00:29:54,955 --> 00:29:58,172
<i>♪ I wish I never learned ♪</i>

586
00:29:58,176 --> 00:30:01,479
<i>♪ How to be ♪</i>

587
00:30:01,483 --> 00:30:04,269
<i>♪ So good at keeping secrets. ♪</i>

588
00:30:14,322 --> 00:30:16,886
We should boost the gain
on the targeting scanners.

589
00:30:16,890 --> 00:30:18,148
Way ahead of you.

590
00:30:18,152 --> 00:30:19,806
Do we have a lock on the target?

591
00:30:20,925 --> 00:30:22,313
Sorry. Reflex.

592
00:30:22,318 --> 00:30:24,930
This is your ship, you give the orders.

593
00:30:26,030 --> 00:30:27,770
Ready on both ends.

594
00:30:30,090 --> 00:30:32,092
Energizing... now.

595
00:30:34,821 --> 00:30:37,258
The molecular imaging scanner
can't focus the signal.

596
00:30:38,259 --> 00:30:39,652
Adding power.

597
00:30:40,896 --> 00:30:43,116
Isolating particles
from the subspace fold.

598
00:30:45,236 --> 00:30:46,280
Got it.

599
00:30:48,966 --> 00:30:51,442
Confirmed.

600
00:30:51,446 --> 00:30:53,357
Lieutenant Spock, I have the particles.

601
00:30:53,361 --> 00:30:54,393
They're coming your way.

602
00:30:54,398 --> 00:30:56,919
<i>SPOCK: Acknowledged. Ready to receive.</i>

603
00:30:57,322 --> 00:31:00,020
KIRK: Transporting subspace
particles to Engineering.

604
00:31:00,790 --> 00:31:02,092
Wow.

605
00:31:02,097 --> 00:31:04,063
That was exciting.

606
00:31:04,068 --> 00:31:07,421
I mean, Spock and Uhura
get to blow it up,

607
00:31:07,426 --> 00:31:09,938
which is the real fun part, but, uh...

608
00:31:09,943 --> 00:31:11,941
We make a good pair.

609
00:31:11,945 --> 00:31:13,251
We should team up more often.

610
00:31:16,080 --> 00:31:17,820
Lieutenant, um...

611
00:31:18,865 --> 00:31:20,036
Jim.

612
00:31:20,040 --> 00:31:21,864
Jim?

613
00:31:21,868 --> 00:31:23,866
- Sounds so serious.
- [CHUCKLES SOFTLY]

614
00:31:23,870 --> 00:31:26,695
I, um...

615
00:31:26,699 --> 00:31:28,744
[BOOMING]

616
00:31:29,502 --> 00:31:30,895
What was that?

617
00:31:35,986 --> 00:31:38,135
PIKE: If hitting just a few
subatomic particles

618
00:31:38,140 --> 00:31:39,564
nearly blew up Engineering...

619
00:31:39,569 --> 00:31:41,665
SPOCK: Firing on the field
would be devastating.

620
00:31:41,670 --> 00:31:43,270
As you can see in this simulation,

621
00:31:43,275 --> 00:31:44,538
the explosion would propagate

622
00:31:44,543 --> 00:31:46,499
through the entire
Federation subspace network,

623
00:31:46,504 --> 00:31:47,715
destroying everything.

624
00:31:47,720 --> 00:31:51,154
It would be like soaking the
improbability field in kerosene

625
00:31:51,158 --> 00:31:53,113
and holding a match to it.

626
00:31:53,117 --> 00:31:55,593
Then we need a plan C.

627
00:31:55,597 --> 00:31:58,031
Sir, I'm getting a hail.

628
00:31:58,035 --> 00:32:00,598
Don't answer. We can't risk
spreading this further.

629
00:32:00,602 --> 00:32:02,437
I am triangulating the source.

630
00:32:02,442 --> 00:32:04,179
There appears to be
an incoming warp signal

631
00:32:04,184 --> 00:32:05,373
heading our way fast.

632
00:32:05,378 --> 00:32:07,245
The signal has Klingon encryption.

633
00:32:07,250 --> 00:32:10,129
The last thing anyone wants
is singing Klingons.

634
00:32:10,134 --> 00:32:12,784
Uhura, send a message by proxy
order of Starfleet Command.

635
00:32:12,788 --> 00:32:14,960
Tell them they must
turn around immediately.

636
00:32:14,964 --> 00:32:18,259
They've stopped hailing, but
I'm getting a message back.

637
00:32:22,015 --> 00:32:24,409
The improbability field's
already hit them.

638
00:32:26,746 --> 00:32:28,182
Standby for playback.

639
00:32:29,283 --> 00:32:33,196
<i>This is General Garkog of the
Imperial Klingon Defense Force.</i>

640
00:32:33,200 --> 00:32:37,248
<i>Your evasion raises much suspicion.</i>

641
00:32:38,466 --> 00:32:40,421
<i>We have located the abominable</i>

642
00:32:40,425 --> 00:32:42,858
<i>source of our dishonor</i>

643
00:32:42,862 --> 00:32:45,426
<i>and will destroy it immediately.</i>

644
00:32:45,430 --> 00:32:47,736
<i>Make no attempt to stop us.</i>

645
00:32:49,669 --> 00:32:51,540
They're going to fire on the fold.

646
00:32:59,705 --> 00:33:01,311
Their ship will be here in two hours.

647
00:33:01,315 --> 00:33:03,618
I've hailed them repeatedly.
They refuse to answer.

648
00:33:03,622 --> 00:33:05,750
If they complete their mission,
everyone affected

649
00:33:05,754 --> 00:33:07,926
by the improbability field
will be destroyed.

650
00:33:07,930 --> 00:33:10,625
So, just the entire Federation
and half the Klingon Empire.

651
00:33:10,629 --> 00:33:12,322
We have to stop them at all costs.

652
00:33:12,326 --> 00:33:13,507
Number One, analysis?

653
00:33:13,512 --> 00:33:15,915
Well, striking them first
would constitute an act of war.

654
00:33:15,920 --> 00:33:17,245
PIKE: Not much choice here, I'm afraid.

655
00:33:17,249 --> 00:33:19,665
What if we just find a way to
disable their disruptor cannons?

656
00:33:19,669 --> 00:33:21,406
And their torpedo launchers.

657
00:33:21,411 --> 00:33:23,811
That's a lot to disable
before they get off a shot.

658
00:33:23,816 --> 00:33:26,380
We need a tactical strategy
immediately. La'An?

659
00:33:26,384 --> 00:33:27,781
On it.

660
00:33:29,055 --> 00:33:30,668
And you. You're with me.

661
00:33:30,673 --> 00:33:32,210
Partners again.

662
00:33:32,215 --> 00:33:34,213
I like it. Let's go.

663
00:33:34,609 --> 00:33:36,433
PIKE: Mr. Spock, Uhura,

664
00:33:36,437 --> 00:33:38,522
what are the odds we can shut
down the improbability field

665
00:33:38,526 --> 00:33:39,976
before the Klingons get here?

666
00:33:39,981 --> 00:33:42,396
Not good. At least,
according to the data we have.

667
00:33:42,400 --> 00:33:43,962
Then find new data.

668
00:33:43,966 --> 00:33:45,516
You both need to fix this.

669
00:33:45,521 --> 00:33:47,476
You're applying old rules
to a new reality.

670
00:33:47,481 --> 00:33:50,023
I suggest you find
a different tempo, fast.

671
00:33:52,584 --> 00:33:55,452
Studying the songs
themselves. Brilliant.

672
00:33:55,456 --> 00:33:57,541
Not just the songs but the frequencies

673
00:33:57,545 --> 00:33:59,082
the moment a song begins.

674
00:33:59,087 --> 00:34:01,676
If we can isolate a pattern
in the improbability field

675
00:34:01,680 --> 00:34:05,332
we might learn how to generate
an improbability-breaking event.

676
00:34:05,336 --> 00:34:08,335
Now, how to trigger a song?

677
00:34:08,339 --> 00:34:10,622
Well, per our musical rules,

678
00:34:10,627 --> 00:34:12,120
we just need to wait until someone

679
00:34:12,125 --> 00:34:14,165
- feels overwhelming emotion.
- [DOOR WHOOSHES OPEN]

680
00:34:15,259 --> 00:34:16,691
- [INDISTINCT CHATTER]
- You know...

681
00:34:16,695 --> 00:34:18,571
like that.

682
00:34:19,440 --> 00:34:20,868
To our brilliant friend Christine.

683
00:34:20,873 --> 00:34:22,349
Oh, I feel weird celebrating

684
00:34:22,353 --> 00:34:23,698
with everything going on.

685
00:34:23,702 --> 00:34:25,904
I mean, we can't put our lives on hold

686
00:34:25,909 --> 00:34:27,223
every time the ship's in trouble.

687
00:34:27,227 --> 00:34:28,746
We could, but that wouldn't be fun.

688
00:34:28,750 --> 00:34:30,357
Some of us need fun to deal with

689
00:34:30,361 --> 00:34:32,370
- the constant threat of dying.
- ORTEGAS: Point is

690
00:34:32,375 --> 00:34:34,490
we're here to celebrate your win.

691
00:34:34,495 --> 00:34:36,367
So deal with it.

692
00:34:38,581 --> 00:34:39,843
Christine.

693
00:34:39,848 --> 00:34:41,616
Logic would dictate you are toasting

694
00:34:41,621 --> 00:34:42,934
good news regarding your fellowship,

695
00:34:42,938 --> 00:34:45,546
so allow me to...

696
00:34:45,550 --> 00:34:47,287
offer congratulations.

697
00:34:47,291 --> 00:34:48,853
Thank you, Spock.

698
00:34:48,857 --> 00:34:51,639
I am curious why you
chose not to inform me.

699
00:34:51,643 --> 00:34:54,528
Was it an oversight
or was it intentional?

700
00:34:55,429 --> 00:34:58,863
Can we, um, can we
talk about this later?

701
00:34:58,867 --> 00:35:00,452
I am just curious.

702
00:35:02,436 --> 00:35:04,090
♪ ♪

703
00:35:06,962 --> 00:35:08,486
[TRICORDER TRILLING]

704
00:35:10,705 --> 00:35:15,210
<i>♪ This news really changes everything ♪</i>

705
00:35:17,003 --> 00:35:21,608
<i>♪ A distant dream becoming real ♪</i>

706
00:35:24,066 --> 00:35:27,022
<i>♪ I convinced myself ♪</i>

707
00:35:27,026 --> 00:35:29,942
<i>♪ It wasn't happening ♪</i>

708
00:35:31,465 --> 00:35:36,670
<i>♪ And now I'm surprised
how good it feels ♪</i>

709
00:35:39,343 --> 00:35:41,254
<i>♪ I worked so hard for this ♪</i>

710
00:35:41,258 --> 00:35:42,994
<i>♪ And now the fellowship ♪</i>

711
00:35:42,998 --> 00:35:46,302
<i>♪ Sees me as one of their own ♪</i>

712
00:35:46,306 --> 00:35:47,956
<i>♪ The sky is the limit ♪</i>

713
00:35:47,960 --> 00:35:50,026
<i>♪ My future is infinite ♪</i>

714
00:35:50,031 --> 00:35:53,731
<i>♪ My possibilities are endless ♪</i>

715
00:35:54,532 --> 00:35:55,750
<i>♪ I'm ready ♪</i>

716
00:35:59,885 --> 00:36:04,090
<i>♪ Drink in every second of the joy ♪</i>

717
00:36:04,585 --> 00:36:06,322
<i>♪ You've earned it, deserve it ♪</i>

718
00:36:06,326 --> 00:36:10,630
<i>♪ Of success arriving overnight ♪</i>

719
00:36:10,635 --> 00:36:12,328
- <i>♪ You've earned it ♪</i>
- But not really.

720
00:36:12,332 --> 00:36:13,721
<i>♪ Been working hard a long time ♪</i>

721
00:36:13,725 --> 00:36:16,071
<i>♪ I've been seeing life ♪</i>

722
00:36:16,075 --> 00:36:19,557
<i>♪ Through camera obscura ♪</i>

723
00:36:20,471 --> 00:36:24,725
<i>♪ Now my canvas
is wide as the open horizon ♪</i>

724
00:36:24,730 --> 00:36:25,862
<i>♪ Oh! ♪</i>

725
00:36:25,867 --> 00:36:28,431
<i>♪ I worked so hard for this ♪</i>

726
00:36:28,435 --> 00:36:30,172
<i>♪ And now the fellowship ♪</i>

727
00:36:30,176 --> 00:36:33,349
<i>♪ Sees me as one of their own ♪</i>

728
00:36:33,353 --> 00:36:35,177
<i>♪ The sky is the limit ♪</i>

729
00:36:35,181 --> 00:36:37,179
<i>♪ My future is infinite ♪</i>

730
00:36:37,183 --> 00:36:40,207
<i>♪ With possibilities ♪</i>

731
00:37:07,648 --> 00:37:11,653
<i>♪ It's freedom and I like it ♪</i>

732
00:37:11,658 --> 00:37:15,172
<i>♪ My spark has been ignited ♪</i>

733
00:37:15,177 --> 00:37:19,352
<i>♪ If I need to leave you,
I won't fight it ♪</i>

734
00:37:19,356 --> 00:37:21,266
<i>♪ I'm ready ♪</i>

735
00:37:21,270 --> 00:37:23,660
GROUP: <i>♪ Ready, ready ♪</i>

736
00:37:23,664 --> 00:37:27,403
- CHAPEL: <i>♪ I am ready ♪
- ♪ Ready, ready, ooh ♪</i>

737
00:37:27,407 --> 00:37:28,665
<i>♪ I'm ready ♪</i>

738
00:37:28,669 --> 00:37:30,754
<i>♪ Ready, ready ♪</i>

739
00:37:30,758 --> 00:37:32,495
<i>♪ I'm ready ♪</i>

740
00:37:32,499 --> 00:37:35,846
<i>♪ Ooh. ♪</i>

741
00:37:35,850 --> 00:37:37,074
I'm ready.

742
00:37:44,028 --> 00:37:46,482
Number One suggested we
concentrate our phasers

743
00:37:46,487 --> 00:37:49,076
on their disruptors and fore torpedoes.

744
00:37:49,081 --> 00:37:51,072
Aft torpedoes are what
you really have to

745
00:37:51,077 --> 00:37:53,385
worry about when it comes to
K't'inga-Class ships.

746
00:37:53,390 --> 00:37:54,961
Well, I trust your aim.

747
00:37:59,178 --> 00:38:00,926
So, are you gonna tell me that thing

748
00:38:00,931 --> 00:38:03,699
you wanted to tell me before?

749
00:38:03,704 --> 00:38:07,294
Okay. Uh, I-I need to just
say this before it comes out

750
00:38:07,299 --> 00:38:10,363
in the form of
a 17th-century sea shanty.

751
00:38:12,121 --> 00:38:15,494
I, um... I know you.

752
00:38:15,499 --> 00:38:18,472
I mean, not <i>you</i> you.
We-Well, I know you now,

753
00:38:18,477 --> 00:38:21,001
but I mean before. In a different...

754
00:38:22,797 --> 00:38:24,012
... time,

755
00:38:24,017 --> 00:38:25,841
I met another you.

756
00:38:25,846 --> 00:38:27,800
Whoa, whoa, whoa.

757
00:38:27,805 --> 00:38:31,031
I-I don't love rules,
but I'm pretty sure

758
00:38:31,036 --> 00:38:32,773
you're about to break a big one.

759
00:38:32,777 --> 00:38:35,375
The other you, he, um...

760
00:38:38,204 --> 00:38:39,801
He saw the real me.

761
00:38:41,873 --> 00:38:43,958
Beyond my name, beyond
all that name stands for.

762
00:38:43,962 --> 00:38:45,529
He'd never even heard it before.

763
00:38:46,921 --> 00:38:49,146
And I-I liked it.

764
00:38:50,621 --> 00:38:53,711
I liked the way he looked at me.

765
00:38:57,018 --> 00:39:00,365
Because through his eyes,
I could finally see the person

766
00:39:00,369 --> 00:39:01,849
I had the potential to be.

767
00:39:03,895 --> 00:39:05,860
And it was someone

768
00:39:05,865 --> 00:39:08,547
who wasn't burdened by...

769
00:39:08,552 --> 00:39:10,288
tragedy and darkness.

770
00:39:10,292 --> 00:39:13,034
Someone who could find hope
and live in that hope.

771
00:39:14,775 --> 00:39:17,865
Someone free-free to feel and-and...

772
00:39:19,941 --> 00:39:22,017
... take chances and, um...

773
00:39:28,659 --> 00:39:30,888
And make connections.

774
00:39:36,623 --> 00:39:40,057
But then, uh...

775
00:39:40,061 --> 00:39:43,496
he was gone, and with him,

776
00:39:43,500 --> 00:39:45,850
that version of myself was gone, too.

777
00:39:47,591 --> 00:39:49,240
And... that's...

778
00:39:49,244 --> 00:39:50,768
that was what I wanted to say.

779
00:39:59,298 --> 00:40:01,527
Am I anything like the other me?

780
00:40:05,609 --> 00:40:07,124
No.

781
00:40:09,830 --> 00:40:11,872
And-and yes.

782
00:40:14,531 --> 00:40:16,734
I like how you look at me, too.

783
00:40:18,535 --> 00:40:20,563
In what way?

784
00:40:26,020 --> 00:40:28,070
Like you really see me.

785
00:40:39,251 --> 00:40:40,727
I'd be lying if I said

786
00:40:40,731 --> 00:40:42,598
I didn't feel the connection, too.

787
00:40:42,602 --> 00:40:44,343
When you first called me...

788
00:40:46,563 --> 00:40:48,517
... I felt like I knew you.

789
00:40:48,521 --> 00:40:52,042
But I'm not that James Kirk.

790
00:40:52,046 --> 00:40:54,349
Of course, it was
inappropriate, and I am...

791
00:40:54,353 --> 00:40:56,525
No, La'An, you don't understand, my...

792
00:40:56,529 --> 00:40:59,354
my life is complicated.

793
00:40:59,358 --> 00:41:02,662
Not time-travel complicated, but

794
00:41:02,666 --> 00:41:04,276
I'm in a relationship.

795
00:41:05,799 --> 00:41:07,473
A sometimes relationship,

796
00:41:07,478 --> 00:41:08,923
and right now is one of those times

797
00:41:08,928 --> 00:41:11,588
in a very real way.

798
00:41:12,706 --> 00:41:15,313
- My God, if I'd have known, I...
- How could you have?

799
00:41:15,318 --> 00:41:18,198
I actually think you'd like Carol.

800
00:41:18,203 --> 00:41:22,408
You're both dedicated
to your jobs, intensely.

801
00:41:22,829 --> 00:41:25,223
She's a scientist on Starbase One.

802
00:41:26,266 --> 00:41:28,743
I tend not to stay in the same place

803
00:41:28,748 --> 00:41:31,055
for very long, which is...

804
00:41:33,435 --> 00:41:35,960
... a growing problem,
because Carol is...

805
00:41:38,484 --> 00:41:40,094
... pregnant.

806
00:41:42,083 --> 00:41:43,737
Oh, um...

807
00:41:47,841 --> 00:41:49,234
Wow.

808
00:41:50,235 --> 00:41:53,412
[SIGHS] Here you are.

809
00:42:01,072 --> 00:42:03,418
I have been analyzing
the data we gathered.

810
00:42:03,422 --> 00:42:05,598
Great. Uh, let me help.

811
00:42:07,426 --> 00:42:09,598
Looking for a pattern,

812
00:42:09,602 --> 00:42:11,600
only...

813
00:42:11,604 --> 00:42:12,953
there is none.

814
00:42:14,667 --> 00:42:18,475
I didn't expect Christine
to be so definitive

815
00:42:18,480 --> 00:42:20,831
about ending our arrangement.

816
00:42:22,702 --> 00:42:25,266
Uh... relationships

817
00:42:25,270 --> 00:42:27,964
can be difficult,

818
00:42:27,968 --> 00:42:31,315
Spock, and you're Vulcan.

819
00:42:31,320 --> 00:42:33,411
But I am also human.

820
00:42:34,913 --> 00:42:37,930
I feel things differently.

821
00:42:37,935 --> 00:42:39,227
Bigger.

822
00:42:40,620 --> 00:42:42,657
I see her logic, and yet...

823
00:42:44,593 --> 00:42:46,679
I am hurt.

824
00:42:46,683 --> 00:42:49,221
I am left behind.

825
00:42:50,425 --> 00:42:52,471
♪ ♪

826
00:42:57,911 --> 00:43:00,736
<i>♪ This news really ♪</i>

827
00:43:00,740 --> 00:43:04,022
<i>♪ Changes everything ♪</i>

828
00:43:05,745 --> 00:43:08,464
<i>♪ I can't believe ♪</i>

829
00:43:08,469 --> 00:43:11,037
<i>♪ How wrong I've been ♪</i>

830
00:43:13,318 --> 00:43:16,491
<i>♪ Convinced myself ♪</i>

831
00:43:16,495 --> 00:43:19,716
<i>♪ We shared the same feelings ♪</i>

832
00:43:21,152 --> 00:43:23,541
<i>♪ I won't make ♪</i>

833
00:43:23,545 --> 00:43:26,640
<i>♪ That mistake again ♪</i>

834
00:43:29,554 --> 00:43:31,965
<i>♪ She's happy and carefree ♪</i>

835
00:43:31,970 --> 00:43:34,029
<i>♪ The opposite of me ♪</i>

836
00:43:34,034 --> 00:43:37,555
<i>♪ I can do the calculus ♪</i>

837
00:43:37,559 --> 00:43:40,080
<i>♪ For her I set aside ♪</i>

838
00:43:40,084 --> 00:43:41,951
<i>♪ My need to analyze ♪</i>

839
00:43:41,955 --> 00:43:43,518
<i>♪ Now I'm wrecked ♪</i>

840
00:43:43,522 --> 00:43:46,695
<i>♪ And searching for why ♪</i>

841
00:43:46,699 --> 00:43:49,267
<i>♪ I'm the ex ♪</i>

842
00:43:52,226 --> 00:43:54,928
<i>♪ I've got no one ♪</i>

843
00:43:54,933 --> 00:43:57,492
<i>♪ But myself to blame ♪</i>

844
00:43:59,103 --> 00:44:00,883
<i>♪ I've betrayed ♪</i>

845
00:44:00,887 --> 00:44:04,412
<i>♪ My core philosophy ♪</i>

846
00:44:07,424 --> 00:44:10,718
<i>♪ Unbending reason ♪</i>

847
00:44:10,723 --> 00:44:13,770
<i>♪ Must be my true north ♪</i>

848
00:44:15,423 --> 00:44:17,770
<i>♪ Lest I drown ♪</i>

849
00:44:17,774 --> 00:44:21,034
<i>♪ In this sea of pain ♪</i>

850
00:44:21,038 --> 00:44:24,080
<i>♪ I'm so dysfunctional ♪</i>

851
00:44:24,084 --> 00:44:26,126
<i>♪ Weak and emotional ♪</i>

852
00:44:26,130 --> 00:44:29,825
<i>♪ Feelings I just can't contain ♪</i>

853
00:44:29,829 --> 00:44:33,350
<i>♪ Escaping this misery,
you're breaking free ♪</i>

854
00:44:33,354 --> 00:44:36,832
<i>♪ Not a possibility ♪</i>

855
00:44:36,836 --> 00:44:38,834
<i>♪ I solved for Y ♪</i>

856
00:44:38,838 --> 00:44:41,413
<i>♪ In my computation ♪</i>

857
00:44:41,418 --> 00:44:45,492
<i>♪ But missed vital information ♪</i>

858
00:44:45,497 --> 00:44:50,502
<i>♪ The variable so devastating ♪</i>

859
00:44:52,721 --> 00:44:55,028
<i>♪ I'm the X ♪</i>

860
00:45:00,294 --> 00:45:02,383
<i>♪ I'm the X. ♪</i>

861
00:45:08,912 --> 00:45:10,827
I'm the X.

862
00:45:12,611 --> 00:45:14,134
I'm sorry.

863
00:45:17,268 --> 00:45:19,183
[DOOR WHOOSHES OPEN]

864
00:45:20,227 --> 00:45:22,273
[DOOR WHOOSHES CLOSED]

865
00:45:31,848 --> 00:45:33,371
A pattern.

866
00:45:34,938 --> 00:45:36,392
♪ ♪

867
00:45:36,397 --> 00:45:38,439
I have to find a pattern.

868
00:45:38,942 --> 00:45:42,028
<i>♪ A pattern repeating ♪</i>

869
00:45:42,032 --> 00:45:44,073
<i>♪ I find myself ♪</i>

870
00:45:44,077 --> 00:45:47,555
<i>♪ Here all alone ♪</i>

871
00:45:47,559 --> 00:45:50,384
<i>♪ I know ♪</i>

872
00:45:50,388 --> 00:45:53,126
<i>♪ I'll pick up the pieces ♪</i>

873
00:45:53,130 --> 00:45:57,335
<i>♪ Repair what is broken alone ♪</i>

874
00:45:58,522 --> 00:46:02,727
<i>♪ I know ♪</i>

875
00:46:14,325 --> 00:46:17,541
<i>♪ Memories etched in my mind ♪</i>

876
00:46:17,545 --> 00:46:20,066
<i>♪ Of Mom and Dad ♪</i>

877
00:46:20,070 --> 00:46:24,591
<i>♪ A cool big brother I would idolize ♪</i>

878
00:46:24,596 --> 00:46:27,160
<i>♪ So full of laughter ♪</i>

879
00:46:27,164 --> 00:46:30,163
<i>♪ And I could trust in the four of us ♪</i>

880
00:46:30,167 --> 00:46:34,172
<i>♪ They flew away ♪</i>

881
00:46:34,693 --> 00:46:38,127
<i>♪ Nothing to indicate ♪</i>

882
00:46:38,131 --> 00:46:40,434
<i>♪ Calamity ♪</i>

883
00:46:40,438 --> 00:46:43,219
<i>♪ All so young and alive ♪</i>

884
00:46:43,223 --> 00:46:45,265
<i>♪ Oh ♪</i>

885
00:46:45,269 --> 00:46:49,225
<i>♪ They ruptured into a million ♪</i>

886
00:46:49,229 --> 00:46:52,102
<i>♪ Shards of light ♪</i>

887
00:46:53,320 --> 00:46:56,189
<i>♪ And none of them would survive ♪</i>

888
00:46:56,193 --> 00:47:00,062
<i>♪ How come everywhere that I go ♪</i>

889
00:47:00,066 --> 00:47:02,064
<i>♪ I'm solo? ♪</i>

890
00:47:02,068 --> 00:47:04,501
<i>♪ Am I at my best ♪</i>

891
00:47:04,505 --> 00:47:07,504
<i>♪ Unaccompanied? ♪</i>

892
00:47:07,508 --> 00:47:09,854
<i>♪ My whole life has been ♪</i>

893
00:47:09,858 --> 00:47:12,422
<i>♪ "Fix this" and "save you" ♪</i>

894
00:47:12,426 --> 00:47:14,990
<i>♪ I'll light the path ♪</i>

895
00:47:14,994 --> 00:47:18,998
<i>♪ And keep us connected... ♪</i>

896
00:47:29,400 --> 00:47:32,703
<i>♪ My fabric is woven ♪</i>

897
00:47:32,707 --> 00:47:34,879
<i>♪ With love and loss ♪</i>

898
00:47:34,883 --> 00:47:37,578
<i>♪ I was just a cadet ♪</i>

899
00:47:37,582 --> 00:47:39,872
<i>♪ When we met ♪</i>

900
00:47:39,877 --> 00:47:43,713
<i>♪ Hemmer's belief in me
changed my life ♪</i>

901
00:47:43,718 --> 00:47:45,847
<i>♪ I found my place and said ♪</i>

902
00:47:45,851 --> 00:47:49,633
<i>♪ Goodbye ♪</i>

903
00:47:49,637 --> 00:47:52,941
<i>♪ I absorb all the pain ♪</i>

904
00:47:52,945 --> 00:47:54,856
<i>♪ Mmm ♪</i>

905
00:47:54,860 --> 00:47:58,331
<i>♪ I hear everyone's voice ♪</i>

906
00:47:58,336 --> 00:48:00,730
<i>♪ Calling my name ♪</i>

907
00:48:00,735 --> 00:48:04,257
<i>♪ Building systems, I strengthen ♪</i>

908
00:48:04,261 --> 00:48:08,000
<i>♪ Ties that bind ♪</i>

909
00:48:08,004 --> 00:48:11,307
<i>♪ So no one has to be alone ♪</i>

910
00:48:11,311 --> 00:48:15,050
<i>♪ How come everywhere that I go ♪</i>

911
00:48:15,054 --> 00:48:16,965
<i>♪ I'm solo? ♪</i>

912
00:48:16,969 --> 00:48:19,426
<i>♪ Am I at my best ♪</i>

913
00:48:19,431 --> 00:48:22,883
<i>♪ Unaccompanied? ♪</i>

914
00:48:22,888 --> 00:48:24,755
<i>♪ My whole life has been ♪</i>

915
00:48:24,759 --> 00:48:27,541
<i>♪ "Fix this" and "save you" ♪</i>

916
00:48:27,545 --> 00:48:29,891
<i>♪ I'll light the path ♪</i>

917
00:48:29,895 --> 00:48:33,681
<i>♪ And keep us connected... ♪</i>

918
00:48:53,179 --> 00:48:56,135
<i>♪ The patterns repeating ♪</i>

919
00:48:56,139 --> 00:48:59,828
<i>♪ Guiding and teaching me ♪</i>

920
00:48:59,833 --> 00:49:02,445
<i>♪ I know ♪</i>

921
00:49:03,146 --> 00:49:04,404
<i>♪ I know ♪</i>

922
00:49:04,408 --> 00:49:06,841
<i>♪ Listen for signals ♪</i>

923
00:49:06,845 --> 00:49:10,323
<i>♪ I'm here, you are reaching me ♪</i>

924
00:49:10,327 --> 00:49:13,982
<i>♪ Come home... ♪</i>

925
00:49:15,375 --> 00:49:17,634
<i>♪ Everywhere I go ♪</i>

926
00:49:17,638 --> 00:49:20,791
<i>♪ I'm good with solo ♪</i>

927
00:49:20,796 --> 00:49:23,447
<i>♪ At my best I have ♪</i>

928
00:49:23,452 --> 00:49:26,860
<i>♪ Everything I need ♪</i>

929
00:49:26,865 --> 00:49:28,819
<i>♪ My whole life has been ♪</i>

930
00:49:28,823 --> 00:49:31,474
<i>♪ "Fix this" and "save you" ♪</i>

931
00:49:31,478 --> 00:49:34,216
<i>♪ That's what I do ♪</i>

932
00:49:34,220 --> 00:49:37,776
<i>♪ I keep us connected... ♪</i>

933
00:49:45,101 --> 00:49:49,105
<i>♪ I keep us connected. ♪</i>

934
00:50:00,377 --> 00:50:01,682
[SHORT CHUCKLE]

935
00:50:08,298 --> 00:50:11,698
Look. It's a pattern.

936
00:50:11,703 --> 00:50:13,788
Every time someone sings, the state

937
00:50:13,793 --> 00:50:16,257
of quantum improbability
in the field spikes.

938
00:50:16,262 --> 00:50:19,131
It's almost imperceptible,
but it's there.

939
00:50:19,135 --> 00:50:21,785
- So I ran the simulations,
- [DOOR WHOOSHES OPEN]

940
00:50:21,789 --> 00:50:24,519
and if we can get this spike to 344

941
00:50:24,524 --> 00:50:25,826
giga electronvolts...

942
00:50:25,831 --> 00:50:27,524
SPOCK: It would shatter the field.

943
00:50:27,926 --> 00:50:30,102
You found the
improbability breaking event.

944
00:50:31,629 --> 00:50:33,970
Great. So how do we
make this event happen?

945
00:50:33,975 --> 00:50:35,321
Because our sensors just clocked

946
00:50:35,325 --> 00:50:36,757
two more K't'inga battle cruisers

947
00:50:36,761 --> 00:50:38,062
headed this direction.

948
00:50:38,066 --> 00:50:39,716
Well, so far, we've only
witnessed people

949
00:50:39,720 --> 00:50:42,415
being torn apart by this event.

950
00:50:42,419 --> 00:50:44,634
But song can also be communal.

951
00:50:44,638 --> 00:50:46,245
People worship with song.

952
00:50:46,249 --> 00:50:48,669
Sailors use song
to help them row together.

953
00:50:48,674 --> 00:50:51,281
People celebrate with song.

954
00:50:51,286 --> 00:50:53,806
When I sang with Christine
in the Port Galley.

955
00:50:53,811 --> 00:50:56,623
<i>- CHAPEL:♪ Life through ♪</i>
- SPOCK: A spike of

956
00:50:56,628 --> 00:50:58,162
- <i>♪ Camera obscura... ♪</i>
- 40 electronvolts.

957
00:50:58,166 --> 00:51:00,606
And that was just a solo
with backup vocals.

958
00:51:00,611 --> 00:51:03,349
Maybe four voices, max.

959
00:51:03,353 --> 00:51:06,090
- So we need to do that again,
- [MUSIC STOPS]

960
00:51:06,094 --> 00:51:10,225
but with more. A lot more.

961
00:51:10,229 --> 00:51:14,011
You mean like an ensemble number, or...

962
00:51:14,015 --> 00:51:17,058
Not just an ensemble number.

963
00:51:17,062 --> 00:51:19,495
A grand finale.

964
00:51:19,499 --> 00:51:21,323
We need melodies and harmonies

965
00:51:21,327 --> 00:51:22,759
with tone ratios that achieve

966
00:51:22,763 --> 00:51:24,772
both algorithmic and logarithmic balance

967
00:51:24,777 --> 00:51:26,240
on a mass scale.

968
00:51:26,245 --> 00:51:29,549
What I'm saying is

969
00:51:29,553 --> 00:51:31,855
the whole crew needs to sing together.

970
00:51:31,859 --> 00:51:34,858
SPOCK: Our challenge is how
to inspire 200 crew members

971
00:51:34,862 --> 00:51:36,904
to spontaneously sing
in thematic unison.

972
00:51:36,908 --> 00:51:39,385
A song cannot be triggered
without an emotional purpose.

973
00:51:39,389 --> 00:51:41,648
Well, that sounds to me like a job

974
00:51:41,652 --> 00:51:43,258
for a communications officer.

975
00:51:43,262 --> 00:51:45,739
I can't possibly inspire
the entire ship to sing.

976
00:51:45,743 --> 00:51:48,263
Oh, yes, you can.

977
00:51:48,267 --> 00:51:49,830
You see the connections between us

978
00:51:49,834 --> 00:51:51,614
when all we see are...

979
00:51:51,618 --> 00:51:53,268
the empty spaces.

980
00:51:53,272 --> 00:51:54,827
Help them to feel

981
00:51:54,832 --> 00:51:56,797
the way they need to to sing.

982
00:51:59,409 --> 00:52:01,415
Attention all crew,
this is your captain.

983
00:52:03,064 --> 00:52:06,063
I know our situation
has been challenging,

984
00:52:06,067 --> 00:52:07,804
and we might not all have been acting

985
00:52:07,808 --> 00:52:10,938
like a, well...

986
00:52:10,942 --> 00:52:13,419
like a crew.

987
00:52:13,423 --> 00:52:16,944
But we'll get through this, together,

988
00:52:16,948 --> 00:52:19,076
by following one voice:

989
00:52:19,080 --> 00:52:21,688
the voice of the <i>Enterprise.</i>

990
00:52:21,692 --> 00:52:23,646
Ensign Uhura?

991
00:52:23,650 --> 00:52:25,257
[CLEARS THROAT]

992
00:52:25,261 --> 00:52:28,303
Hi, everyone.

993
00:52:28,307 --> 00:52:31,350
Uh, you might not all know me,

994
00:52:31,354 --> 00:52:34,527
but I know you.

995
00:52:34,531 --> 00:52:37,443
So, allow me to introduce myself.

996
00:52:37,447 --> 00:52:39,532
Ensign Nyota Uhura,

997
00:52:39,536 --> 00:52:41,142
your communications officer.

998
00:52:41,146 --> 00:52:43,249
I used to think of myself

999
00:52:43,254 --> 00:52:46,451
as always alone,

1000
00:52:46,456 --> 00:52:48,497
but not on this ship.

1001
00:52:48,501 --> 00:52:51,417
Because each of us,
we're connected as a crew.

1002
00:52:55,769 --> 00:52:57,423
[MOUTHS]

1003
00:52:58,424 --> 00:52:59,943
Do you know the odds

1004
00:52:59,947 --> 00:53:03,207
of all of us being here

1005
00:53:03,211 --> 00:53:06,689
on the <i>Enterprise</i> at this time?

1006
00:53:06,693 --> 00:53:09,213
It's improbable,

1007
00:53:09,217 --> 00:53:10,693
and yet

1008
00:53:10,697 --> 00:53:12,652
here we are, together,

1009
00:53:12,656 --> 00:53:14,610
- all of us.
- ♪ ♪

1010
00:53:14,614 --> 00:53:17,700
<i>♪ This is where it all leads ♪</i>

1011
00:53:17,704 --> 00:53:19,789
<i>♪ The</i> Enterprise ♪

1012
00:53:19,793 --> 00:53:22,618
<i>♪ Is it my destiny ♪</i>

1013
00:53:22,622 --> 00:53:24,185
<i>♪ To save us all? ♪</i>

1014
00:53:24,189 --> 00:53:25,491
<i>♪ No ♪</i>

1015
00:53:25,495 --> 00:53:26,753
<i>♪ It's my job ♪</i>

1016
00:53:26,757 --> 00:53:30,147
<i>♪ To disrupt the chaos ♪</i>

1017
00:53:30,151 --> 00:53:32,802
<i>♪ Find a purpose ♪</i>

1018
00:53:32,806 --> 00:53:35,896
<i>♪ For us all... ♪</i>

1019
00:53:38,943 --> 00:53:41,946
<i>♪ We're all rushing around ♪</i>

1020
00:53:42,994 --> 00:53:45,510
<i>♪ We're confused and upended ♪</i>

1021
00:53:45,515 --> 00:53:48,122
<i>♪ Let's refocus now ♪</i>

1022
00:53:48,126 --> 00:53:50,472
<i>♪ Our bond is imperative ♪</i>

1023
00:53:50,476 --> 00:53:53,562
<i>♪ Let's bring our collective together ♪</i>

1024
00:53:53,566 --> 00:53:57,218
<i>♪ As we fight for our lives ♪</i>

1025
00:53:57,222 --> 00:54:00,747
<i>♪ Uhura, I really needed to hear that ♪</i>

1026
00:54:02,053 --> 00:54:05,163
<i>♪ Our security's only as strong ♪</i>

1027
00:54:05,168 --> 00:54:06,966
<i>♪ As our unity ♪</i>

1028
00:54:06,971 --> 00:54:09,448
<i>♪ When I scan the universe ♪</i>

1029
00:54:09,452 --> 00:54:12,668
<i>♪ It reveals truth and gives meaning ♪</i>

1030
00:54:12,672 --> 00:54:16,516
<i>♪ It's what I'm meant to do ♪</i>

1031
00:54:16,521 --> 00:54:18,817
<i>♪ The danger's not over yet ♪</i>

1032
00:54:18,822 --> 00:54:23,112
<i>♪ When we gain control again
I confess ♪</i>

1033
00:54:23,117 --> 00:54:26,393
<i>- ♪ I'll miss the singing ♪
- ♪ I won't miss singing ♪</i>

1034
00:54:26,398 --> 00:54:30,903
<i>♪ Now let's bring this thing down ♪</i>

1035
00:54:30,908 --> 00:54:35,113
<i>♪ We know our purpose is ♪</i>

1036
00:54:35,478 --> 00:54:37,867
<i>♪ To protect the mission ♪</i>

1037
00:54:37,871 --> 00:54:40,304
<i>♪ Our directive ♪</i>

1038
00:54:40,308 --> 00:54:42,872
<i>♪ 'Cause we work better all together ♪</i>

1039
00:54:42,876 --> 00:54:46,963
<i>♪ We overcome our obstacles ♪</i>

1040
00:54:46,967 --> 00:54:50,445
<i>♪ As one ♪</i>

1041
00:54:50,449 --> 00:54:52,142
Keep going!

1042
00:54:52,146 --> 00:54:55,672
<i>♪ I have to give credit when due ♪</i>

1043
00:54:56,716 --> 00:54:58,975
<i>♪ And if I make captain ♪</i>

1044
00:54:58,979 --> 00:55:01,456
<i>♪ It'll be thanks to all of you ♪</i>

1045
00:55:01,460 --> 00:55:03,632
<i>♪ And I don't take for granted ♪</i>

1046
00:55:03,636 --> 00:55:05,634
<i>♪ My role to command ♪</i>

1047
00:55:05,638 --> 00:55:09,512
<i>♪ I can't believe how much
I'll miss this crew ♪</i>

1048
00:55:11,035 --> 00:55:13,468
<i>♪ The starship</i> Enterprise ♪

1049
00:55:13,472 --> 00:55:16,079
<i>♪ Feels electrified ♪</i>

1050
00:55:16,083 --> 00:55:18,262
<i>♪ I'm so proud to ♪</i>

1051
00:55:18,267 --> 00:55:20,909
<i>♪ Be your captain ♪</i>

1052
00:55:20,914 --> 00:55:22,952
<i>♪ Now let's take this thing ♪</i>

1053
00:55:22,957 --> 00:55:25,186
<i>♪ Down ♪</i>

1054
00:55:25,191 --> 00:55:29,396
<i>♪ We know our purpose is ♪</i>

1055
00:55:29,401 --> 00:55:32,313
<i>♪ To protect the mission ♪</i>

1056
00:55:32,317 --> 00:55:34,707
<i>♪ Our directive ♪</i>

1057
00:55:34,711 --> 00:55:37,187
<i>♪ 'Cause we work better all together ♪</i>

1058
00:55:37,191 --> 00:55:39,059
<i>♪ We overcome ♪</i>

1059
00:55:39,063 --> 00:55:41,496
<i>♪ Our obstacles ♪</i>

1060
00:55:41,500 --> 00:55:44,460
<i>♪ As one ♪</i>

1061
00:55:46,504 --> 00:55:50,156
<i>♪ I look around and everyone I see ♪</i>

1062
00:55:50,161 --> 00:55:53,290
<i>♪ The pinnacle of guts and resiliency ♪</i>

1063
00:55:53,294 --> 00:55:56,317
<i>♪ Yes, threats are nothing new to us ♪</i>

1064
00:55:56,322 --> 00:55:59,513
<i>♪ It takes monumental
strength and trust ♪</i>

1065
00:55:59,518 --> 00:56:02,648
<i>♪ We got lost and disconnected ♪</i>

1066
00:56:02,652 --> 00:56:05,314
<i>♪ Distracted, undefended ♪</i>

1067
00:56:05,319 --> 00:56:08,932
<i>♪ Uhura, you saved us... ♪</i>

1068
00:56:11,312 --> 00:56:13,128
<i>♪ More singing ♪</i>

1069
00:56:13,133 --> 00:56:15,182
<i>♪ More voices ♪</i>

1070
00:56:15,186 --> 00:56:17,493
<i>♪ Hail the Klingons, Uhura ♪</i>

1071
00:56:21,745 --> 00:56:24,526
<i>Why have you... Ugh!</i>

1072
00:56:24,531 --> 00:56:27,759
<i>♪ Why you only calling us
when you got your dramas? ♪</i>

1073
00:56:27,764 --> 00:56:31,024
<i>♪ One of these days we'll
repay you, we'll slay you ♪</i>

1074
00:56:31,028 --> 00:56:32,547
<i>♪ Gonna draw your last breath ♪</i>

1075
00:56:32,551 --> 00:56:34,506
<i>♪ At the end of our Mek'Leths ♪</i>

1076
00:56:34,510 --> 00:56:37,204
<i>♪ Your eternal torture
is every Klingon's dream ♪</i>

1077
00:56:37,208 --> 00:56:38,510
<i>♪ You know what I mean? ♪</i>

1078
00:56:38,514 --> 00:56:41,778
<i>♪ Make your blood scream! ♪</i>

1079
00:56:47,299 --> 00:56:50,477
<i>♪ We know our purpose ♪</i>

1080
00:56:50,482 --> 00:56:53,612
<i>- ♪ Is ♪
- ♪ We know our purpose ♪</i>

1081
00:56:53,616 --> 00:56:56,963
<i>♪ To protect the mission ♪</i>

1082
00:56:56,967 --> 00:57:00,053
- <i>♪ Our prime directive ♪</i>
- Not exactly.

1083
00:57:00,057 --> 00:57:01,533
<i>♪ Will this work? ♪</i>

1084
00:57:01,537 --> 00:57:03,012
<i>♪ Who can say? ♪</i>

1085
00:57:03,016 --> 00:57:06,276
<i>♪ We're gonna sing it anyway ♪</i>

1086
00:57:06,280 --> 00:57:09,453
<i>♪ Our voices will rise ♪</i>

1087
00:57:09,457 --> 00:57:12,718
<i>♪ Through space and through time ♪</i>

1088
00:57:12,722 --> 00:57:16,846
<i>♪ We're the unbreakable, unshakable ♪</i>

1089
00:57:16,851 --> 00:57:19,898
<i>♪ Improbable, unstoppable ♪</i>

1090
00:57:19,903 --> 00:57:23,337
<i>♪ Sensational, ovational ♪</i>

1091
00:57:23,341 --> 00:57:26,470
<i>♪ We're boldly explorational ♪</i>

1092
00:57:26,474 --> 00:57:28,738
<i>♪ Crew of the ♪</i>

1093
00:57:28,743 --> 00:57:32,220
♪ Enterprise! ♪

1094
00:57:38,443 --> 00:57:40,053
[LAUGHING]

1095
00:57:43,404 --> 00:57:45,272
<i>[STAR TREK</i> THEME PLAYING]

1096
00:57:45,276 --> 00:57:47,404
♪ ♪

1097
00:57:47,408 --> 00:57:48,536
We did it!

1098
00:57:48,540 --> 00:57:49,889
Yes! Come on!

1099
00:57:56,853 --> 00:57:58,245
[SQUEALS]

1100
00:57:59,203 --> 00:58:00,870
PIKE: Nyota.

1101
00:58:00,875 --> 00:58:03,594
Hail the Klingons. I think we
might have to mend some fences.

1102
00:58:03,599 --> 00:58:05,296
[CHUCKLES]

1103
00:58:07,690 --> 00:58:09,692
[GIGGLES]

1104
00:58:11,781 --> 00:58:14,127
[INDISTINCT CHATTER]

1105
00:58:14,131 --> 00:58:15,828
UNA: Hey, how are you?

1106
00:58:18,439 --> 00:58:21,656
I told Kirk the truth.

1107
00:58:21,660 --> 00:58:23,880
- How'd it go?
- Honestly...

1108
00:58:25,229 --> 00:58:27,405
Not great. I, uh...

1109
00:58:29,189 --> 00:58:30,578
It was really hard.

1110
00:58:30,582 --> 00:58:32,410
And it hurt.

1111
00:58:33,890 --> 00:58:35,235
It usually does.

1112
00:58:35,239 --> 00:58:37,067
I'm glad I took that chance.

1113
00:58:39,809 --> 00:58:41,332
Maybe, um...

1114
00:58:44,204 --> 00:58:47,726
Maybe I could be someone
who takes chances more often.

1115
00:58:47,730 --> 00:58:49,340
[QUIET CHUCKLE]

1116
00:58:55,651 --> 00:58:57,083
<i>BATEL: You know, I don't need</i>

1117
00:58:57,087 --> 00:58:59,302
a whole to-do.

1118
00:58:59,306 --> 00:59:02,610
Just relax. Enjoy it.

1119
00:59:02,614 --> 00:59:04,656
I promise you, even Julia Child's

1120
00:59:04,660 --> 00:59:06,962
boeuf bourguignon itself
will not make me forget

1121
00:59:06,966 --> 00:59:09,626
that you sang about lying to me.

1122
00:59:12,263 --> 00:59:15,175
Why didn't you just tell me
you hate the idea of Crivo?

1123
00:59:15,180 --> 00:59:17,095
I don't hate the idea.

1124
00:59:18,674 --> 00:59:22,013
Okay, yes, it sounded like my nightmare.

1125
00:59:22,018 --> 00:59:24,930
I just pictured something quieter.

1126
00:59:24,935 --> 00:59:26,720
Camping somewhere.

1127
00:59:26,725 --> 00:59:28,941
Chris, this isn't gonna work

1128
00:59:28,945 --> 00:59:32,031
if you're not more comfortable
being honest with me.

1129
00:59:32,035 --> 00:59:34,076
Even about something
as small as a vacation.

1130
00:59:34,080 --> 00:59:36,209
You got to trust me more than that.

1131
00:59:36,213 --> 00:59:38,472
You got to trust us.

1132
00:59:38,476 --> 00:59:41,736
I know. You're right.

1133
00:59:41,740 --> 00:59:44,391
Well, I have good news and bad news.

1134
00:59:44,395 --> 00:59:47,002
We have more time to plan
our compromised trip.

1135
00:59:47,006 --> 00:59:49,705
I just got put on
a priority one mission.

1136
00:59:50,706 --> 00:59:52,138
Hmm.

1137
00:59:52,142 --> 00:59:53,443
[TAPS KNIFE]

1138
00:59:53,447 --> 00:59:57,230
Now, how do I know...

1139
00:59:57,234 --> 00:59:59,867
you're not the one making excuses now?

1140
00:59:59,872 --> 01:00:01,308
Well...

1141
01:00:02,326 --> 01:00:03,845
When I'm back, we'll go somewhere

1142
01:00:03,849 --> 01:00:05,921
we both want to go.

1143
01:00:05,926 --> 01:00:09,110
But no camping, unless
it comes with room service.

1144
01:00:09,115 --> 01:00:10,939
[CHUCKLES]

1145
01:00:10,943 --> 01:00:12,466
Deal.

1146
01:00:16,253 --> 01:00:18,773
<i>UHURA: Communications
officer's log, supplemental.</i>

1147
01:00:18,777 --> 01:00:21,482
<i>I am happy to report that
all Federation vessels</i>

1148
01:00:21,487 --> 01:00:25,007
<i>have checked in and are behaving
normally once again.</i>

1149
01:00:25,012 --> 01:00:26,748
<i>As for the Klingons,</i>

1150
01:00:26,753 --> 01:00:30,305
<i>Lieutenant Spock engaged
in successful diplomacy</i>

1151
01:00:30,310 --> 01:00:31,960
<i>over some bloodwine.</i>

1152
01:00:31,964 --> 01:00:33,727
<i>Otherwise, it's back</i>

1153
01:00:33,732 --> 01:00:35,777
<i>to business as usual around here.</i>

1154
01:00:36,839 --> 01:00:39,544
- [CONSOLE CHIMES]
- USS <i>Nimerfro,</i> this is <i>Enterprise</i>

1155
01:00:39,549 --> 01:00:41,882
acknowledging receipt
of your transmission.

1156
01:00:41,887 --> 01:00:44,668
- You fly safe out there.
<i>- FEMALE: Acknowledged, Enterprise.</i>

1157
01:00:44,672 --> 01:00:47,193
- [BOATSWAIN'S WHISTLE BLOWS]
- Uhura,

1158
01:00:47,197 --> 01:00:49,195
it occurs to me that we'd be served

1159
01:00:49,199 --> 01:00:51,850
by sharing our findings with
non-Federation ships, too.

1160
01:00:51,854 --> 01:00:53,939
See who's nearby and open a channel.

1161
01:00:53,943 --> 01:00:57,429
Copy that, sir. I'll scan the area.

1162
01:00:59,165 --> 01:01:02,212
[UHURA HUMMING "KEEP US CONNECTED"]

1163
01:01:05,781 --> 01:01:07,173
[STOPS HUMMING]

1164
01:01:13,043 --> 01:01:15,307
Sorry. Earworm.

1165
01:01:20,312 --> 01:01:26,405
- Synced and corrected by Firefly -
- www.addic7ed.com -

1166
01:01:26,410 --> 01:01:28,455
[ORCHESTRAL VERSION
OF "I'M READY" PLAYING]

1167
01:01:47,039 --> 01:01:49,085
["PRIVATE CONVERSATION" PLAYING]

1168
01:02:02,054 --> 01:02:04,100
["CONNECT TO YOUR TRUTH" PLAYING]


